
One of the most elegant and sought after neighbourhoods of Buenos Aires is the barrio of
La Recoleta. When it was formed back in the first part of the XVIIth century, it was called Montes Grandes, (Big woodlands) and it was a hide out for brigands, which turned it into a place that normal people kept away from.

In the year 1716 a small Franciscan chapel and a rudimentary convent was installed in the area. Fourteen years later a definite convent was built and also the church Iglesia del Pilar, of vital importance for the later development of the area.
Recoleta means Place of retreat. The Franciscan and Dominican orders used to own, apart from a convent in the centre of the city, another one outside the city walls, for their practices of retreat and contemplation. This last one was called a
"Recoleta", and its monks were known as "recoletos" or of retreat.

Around 1770 the layout of the rural properties north of the present Plaza San Martin was incorporated into the city plan. It used to be an area of small landholdings, connected by a winding road called Calle Larga (the Long Street. Today Avenida Quintana). The river then reached to the border of the actual old bank, and covered the area where today you can find the Museum of Fine Arts.
Legend has it that, behind the church of
the Recoleta, towards Avenida Pueyrredón, one could find the stockyards, slaughterhouses and the wagon trail that went north.
This attracted a mixed group of people like river shore dwellers, farm labourers and troublemakers that lived in the grocery stores of the area. It is said that the
tango was born in this atmosphere, amongst boarding houses and coffee shops. It was danced in the Armenonville de Libertador y Tagle in 1888, and later on, also in the Palais de Glace.
The urban renewal of the
Recoleta is started in 1830, with the laying out of the Avenida Callao as an encircling road around the city centre. It came all the way to Quintana and, at first; it was called Calle de las Tunas.
The cholera and yellow fever epidemics, in 1871, had as a consequence that the richest families left the southern party of the city and moved into the northern part. They not only started to move there but also started to define the style of the barrio through the building of palaces and elegant country houses surrounded by huge and attractive colourful gardens.